It’s a proof I read it : -D
IT’s quite strongly related to the discussion on access to parameters that is going on elsewhere in that you are looking at exploring high numbers of dimensions and the mechanism for ordering.
The equally tempered construction of these paths through a multi dimension cloud of reference points has been something it took music several centuries to refine and to talk in terms of mixolydian et al, is probably as far as most musicians would take it.
They also tend to speak emotionally of differing modes and the emotional response they engender. That, perhaps, rather more interpretive.
But then in Little Red Riding Hood I tended to support the wolf. . .