Thankyou. I will try your suggestions again. I haven’t worked out how to use webconf yet. Currently I’m using paragon to access the OS files from my SD card reader.
I have used many workflows over the years.
I would have to say, in no uncertain terms, the best hardware performance sequencer workflow I experienced was with the Roland MC-909. This includes superiority over their later releases, and, has even more inspiring workflow than a Left to Right DAW. So, I see some sense in departing from the usual left to right formalism for DAW workflow, as they can be somewhat un-inspiring. I do like the potential here, with zynthian, using the mixer as the main workflow screen. Like a groovebox.
I think the add midi chains is good.
Workflow should ideally be based around this mixing screen, requiring the least amount of touch operations (minimising having to click back to main, go to sequencer, and jumping in and out of screens and the menu - and an arranger ? I couldn’t find one on this build. The build I’m using (Oram stamped within the last month) has something called a ‘midi recorder’, but its function is unclear as to whether its purpose is to record midi, or replay it ? This generates a bit of anxiety. Am I unintentionally recording over an important midi file that I was hoping to simply replay ? Ouch.
If we’re going to record track length midi, allow at least a record button on the mixer screen for each chain, so we know which chains or channels the cc is being recorded to. Tempo options should be on the mixer screen also. Metronome is expendable. Any sequencer sith worth his salt, puts a reference beat down.
Clicking onto the mixer fader (Chain) one should have midi composition first and foremost. Whether this is done arranging the A1…etc blocks. Or unlimited track length recording. In the adjacent seemingly empty dialog boxes, priority should be given to midi pan as well midi keyshift and/or midi transpose. A midi note transpose can be as useful as an eq in many mixer environments. Take a melody, for instance, and sweep it all the way down to a bass, or sub-bass line. There’s a way to use midi to boost or cut the bass…boost mids… I regard these as essential.
As for the weirdest and coolest sequencers I’ve ever used, 2nd to the MC-909 is the Kawai K5000W. It had a function to convert any recorded pattern sequence into a music style or genre called the APG (Auto Phrase Generator). In fact, it was a rudimentary midi-AI in this regard. Its midi composer has the most simplistic fully fledged daw on a 5 inch screen. To quantize, or not to quantize. That’s philosophy btw, not Shakespeare. Philosophy that the Berlin House Advisory Board and the Techno Vikings will grapple with I imagine.
The manuals of these specific sequencers is well worth a looking into.
Kawai K5000 manual p.19
MC-909 manual
Btw, in later iterations, this Zynthian could potentially outdo the MC-909. Which is still king of the hardware sequencers. After all these years. Its greatest shortcoming was having only the 8 faders on the mixer (in conjunction with a toggle for the 9-16 midi tracks - especially since percussion tracks are customarily sequenced to ch#s 10 - 16). Toggle toggle toggle… ouch. Sequencer anxiety.
The Dark Lord of all Grooveboxes would be the full 16 fader MC-909.