Most musicians would probably prefer to build their audio projects with a full screen and a mouse. This is the quickest way to work and get things done. I’m talking about the background “studio” or “rig” work or rehearsal work that a musician does before giving performances.
With the exception of pre-configurred equipment (which may be a computer - or racks, or peddle boards, or patch banks and so on), most musicians would rather not take computer screens and mouses onto stage.
Hence the value of equipment where screens and mouses, when configurring a performance can be used, then detatched for performance itself. Screens and mouses therefore, are a quicker more comfortable way to get around to having these things unplugged, so that a control surface of some kind can be used to rehearse and perform a set.
Also, the less these control surfaces have screens, it tends to be the case, that audiences give more value to the performer’s abilities. I can name a number of instruments which have been criticised by professional musicians (keyboardists especially) for their glarring screens which interfere with stage presence and mood.
So, generally, there are two modes.
- Configure performance (done in studio, or recording sessions).
- Performance itself (done on stage without screens, mouses, touchscreens etc).
I know this seems obvious, but the bigger picture in all of this, is the need for an OS that can be used on all kinds of music machines. Machines that will never be miniaturised in form factor. Incidentally, unlike the international business machines which can and are ever miniturised, the “international music machines” never can and never will be.
If this were the case, Metallica or other big bands would be jamming out on their phones and associated audio apps, instead of the several trucks of performance related equipment used in a production. I note there may be some exceptions, but bands playing on stage with their phones will never be a rule.
Musicians need to interface with machines, sometimes called instruments, which unless you’re Steve Buscemi playing the world’s smallest violin with his fingertips, these will always have a physical interface that is condusive to and enhances the performance for musicians and their audiences.
The use of a touchscreen probably won’t be of interest to many in the music business. What is of more interest, I would say, is a quick way to get a performance pre-configurred, in the comfort of a nice office chair, or sofa, with a nice big screen and a mouse, before disconnecting those configurring peripherals in exchange for performance perhipherals.
That’s my two bobs.