I think you need some pedantry to get projects like this one working. I just did not come across any midi controller which handles the input of a on/off switch which a sustain pedal without half pedaling is other that translating it to the min/max value. But I do appreciate accuracy and an eye on details.
It might be also important how engines/instruments only realizing on/off sustain information in case you connect a continuous controller pedal to it.
So I stand corrected and would say: most midi controllers handle a closed contact as CC64 on 127 and an open contact as 0, some vice versa and some completely different.
EDIT: Thinking about this twice your point totally makes sense there, where you differenciate between how
A midi controller interprets the resistance applied at itās CC/sustain pedal jack (very low/infinite in case of a on/off sustain pedal, variable in case of a more advanced one) and translate this in the digital domain
A hardware or software engine which interprets the given digital information and should be able to process both discrete and continuous information to a reasonable outcome. Here it makes totally sense to state that for example everything <= 63 is no sustain and everything >=64 is sustained, because it handles every information generated by variable or discrete resistance.
My thoughts as an amateur student about Pianoteq is that the best way to āfeelā what this software can do is using a good digital piano as a controller. No other keyboard controller, even the best one, wich does not have weighted keys, can give the correct sound response. I have a modest Yamaha P115, wich is not so great but not so bad (and have crappy sound by itself) and i consider it sufficient for my skills. Furthermore, a good audio card and good speakers are essential because everything about pure sound passes through them. Again, i own basic stuff: Behringer 404 HD and Presonus Eris e5 XT. I must say that this entry level system gives me a lot of satisfaction, and iām sure that an expensive upgrade would give me more richness in sound and feeling. Starting from a personal budget, i think that the ākeyā is to understand when the amount of money you spend will stop giving clear improvements. But just think that only Pianoteq with is price and its funcionality its the best starting point to buy a great software piano system.
I agree. You can have the best piano sounds in the world, but if you have a poor keyboard, theyāll never come out as they should. I have a Studiologic Acuna 88, which I consider superb, and a Yamaha Arius digital piano connected via MIDI, and Iām very happy with them. I stand by my opinion, which is that few have ears to hear even the slightest differences. I absolutely donāt have them, and I focus more on the keyboardās response to dynamics. Iād rather have a worse sound that responds better than a fantastic sound that doesnāt have dynamics to the touch.
For example, I donāt like upright pianos that donāt have a ādouble escapementā (how will Google translate this word?) and therefore donāt allow for a āPianissimoā like I like. Someone more knowledgeable than me will be able to write this in English better than I can. I love Pianoteq because it has a long way to go between āPianissimoā and āFortissimo.ā I hope I made myself clear.⦠sorry.
I use a MIDI pickup on my guitar. I donāt expect it to sound like a guitar. It sometimes sounds (quite a lot) like a piano! I have a Fatar keybed that can also sound like a piano. Oddly, it can also sound like a guitar. I had an upright piano that mostly sounded like a broken upright piano but sometimes sounded like a creaking floorboard and bag of nails.
Make the best music you can with the tools available and enjoy the opportunity to play a quality instrument when it occurs.
If Iād had the sounds I have now in the '80s and '90s, I probably would have studied much more⦠Instead, I find myself now, a young 63-year-old, studying quite seriously. What I notice is that the sounds are improving, but the music is getting worse⦠always to my taste, of course.
I see your point @riban , but Iād say the decline was far less dramatic from Bach to Keith Jarrett.
Take a quick browse through SoundCloud these days and thereās this unmistakable drift toward minimalism ā harmonically and in terms of sound quality.
Rather ironic, really: weāve got all these incredible tools and sounds at our fingertips, yet so much of the music feels thinner and less expressive.
Itās almost as if technical progress and artistic depth have developed an inverse relationship.
I had the CP 70b for many years, but I only miss the keyboard which was like that of a grand piano⦠but as for the sound, I wasnāt very happy⦠but how many concertsā¦
Iāve have an Oram version (up to date). Iāve uploaded Pianoteq 9 (registered) but canāt see it in the list when creating a new chain. I had pianoteq 8.4.1 previously, and now I have no version listed.
The web conf shows pianoteq 8.4.1 and not 9.0.2.
What could be wrong ?
If you already have a PianoteQ instrument in your snapshot, when you add another instrument, PianoteQ disappears because you canāt have two in the same snapshot. But Iām sure the technicians will be able to explain this better.
That might allow installation but the controller symbols have changed and increased in quantity so it wonāt be a great experience, as described above.
We donāt support Pianoteq 9 on Oram today, but will in the near future. Be patient or try the staging version of Oram that acts as the release candidate for the next stable release.